Featured Poetry - August, 2026
A CORRIDOR OF STONE, A LETTER TO YOUR SOUL
By Tyler Hardy
Down the long, dark corridor where you were taught to hide,
Neglected by maternal love, with walls on every side.
Left to fend alone among the chaos of your home,
You built a fortress out of fear, a corridor of stone.
They starved you of a tender touch, they taught you how to mask,
And left a helpless little soul to shoulder every task.
You spend your life in agony, a phantom in the cold,
Desperately craving a deep love that you can tightly hold.
You search the world for sanctuary, begging to be found,
Longing for a saving hand to fix your broken ground.
But when my ocean came to give the peace you always lack,
The terror flooded through your veins, forcing you straight back.
You panicked at the magnitude of being loved so deep,
And sabotaged the only soul who held your heart to keep.
My inner knowing walked straight past your heavy screen,
I saw the rotting wounds you locked away unseen.
I navigated through your labyrinth, bypassed your bitter pride,
And walked down that dark corridor where you choose to hide.
I found that small, abandoned boy you keep locked up inside,
Refused the very warmth and care the world should have supplied.
I knelt down on that frozen floor, I kissed away your frost,
I tore my own soul wide apart to heal what you had lost.
I drank your liquid poison just to keep your system clean,
Absorbing all the toxic smoke that choked the space between.
I sat inside your darkness to resurrect your dead,
I carried every crushing weight you buried in your head.
I poured my spirit down your well until my pulse ran dry,
And stripped myself completely bare to keep your ghosts alive.
You fed upon my quiet light and left an empty space,
Convinced that someone else could be the cure to take my place.
And in return for bleeding out to keep your spirit whole,
You turned your panic into war to crush my mind’s control.
You tried to dim the brilliant light and weaponise the cold,
Then traded out a sacred love for temporary gold.
You fled into a hollow space to trade in temporary skin,
To hide inside your corridor where safety guards the sin.
I want to write this letter, a letter to your soul,
To find that little helpless boy who longs to be made whole.
Those walls you’ve built around you so tall and dark and cold,
Your purpose isn’t hidden there, no matter how they hold.
To build a life of purpose,
And break the chains deployed,
You have to face the truth of it—
And own the empty void.
I had to leave the wreckage,
Or drown inside it too,
To save the life you nearly drained
From me instead of you.
I know you have it in yourself,
Though shadows kept it blind.
It was never really all your fault
For what you left behind.
You were never shown the kind of love
That taught you how to stay,
So you built those heavy fortress walls
And locked what’s real away.
But walls can crack,
And ice can thaw,
When the heavy ice gives way, and bitter ghosts depart,
The child learns to breathe inside the broken heart.
ABOUT THE POEM: The poem is a narrative exploration of developmental trauma, psychological defences, emotional intimacy, and the emotional cost of trying to save someone who must ultimately undertake their own healing. This is my first submission for formal publication, and the poem is particularly meaningful to me as a personal exploration of compassion, boundaries and the recognition that we cannot heal another person for them.

A MENTAL HEALTH POEM
By Martyn Hesford
1.
I worry
it’s like water running in and out of every thought.
It doesn’t even have words,
It is there in everything I do.
It is gentle,
feeding me.
It is violent,
feeding me.
Waterfalls, raindrops, as hard and gentle as waves.
It is deep as the sea.
It is me.
There is no escape.
Only sleep.
A deep dead sleep.
2.
I am
inside
each
sob
It’s not just tears
I am
lost
in the ocean
I carry the ocean
I am
under the ocean
This sob
is mine
alone.
For you.
3.
I watched a ladybird
walking in eternity
from one end of the room
and back again
across a cold tiled floor
in the sun.
What was she looking for?
What was she trying to find?
She didn’t even try
to open
her little wings
and fly.
I looked to see if she was there today
but the ladybird had gone.
ABOUT MARTYN: Martyn Hesford is a screenwriter whose work includes the feature film Mrs Lowry and Son, starring Vanessa Redgrave, and the BBC drama Fantabulosa!, starring Michael Sheen, for which Hesford received a BAFTA nomination. He is bipolar II. His poetry collection Ash Light concerning love and grief was recently published by Grey Swan Press. “Heartfelt and profound: personal yet universal.” — Sir Ian McKellen ‘Like a light from the shadows’ — Holly Johnson.

1 IN 4
by Jo Whitehorn
We laugh and we joke, “Aren’t her antics such fun?”
But she’s left with the mess when the laughter is done.
The house is a mess… it’s too hard to clean.
And why does she always feel angry and mean?
They think she’s just lazy, but that’s far from the truth.
She’s tried harder than most ever since her youth.
She wished you could see she’s just wired this way,
Never quite feeling she fits in each day.
1 in 4 women couldn’t mask anymore.
The guilt was too much, too loud to ignore.
Always too much, yet never enough.
To some she’s too blunt, to others too rough.
Whenever she speaks, all her words come out crossed,
Her self worth becoming the ultimate cost.
She’s smart and she’s funny, so why can’t she succeed?
She tells herself she’s broken, anything else is just Nieve.
She can’t work for a boss, her filter’s gone missing.
She’s just not cut out for arse-kissing.
1 in 4 women can’t hold memories at all,
Can’t tell you where they’ve been or what they like to recall.
Imagine forgetting pieces of yourself as you grow,
Becoming so small because you simply don’t know.
The lights are too bright, too many voices in her head.
Her brain is all fuzzy, she forgot what you said.
She’s focusing hard, trying to hear what you say,
But her brain switched off, it’s wandered away.
How can she possibly bear one more day?
So many appointments missed, she wrote down the wrong date.
Time blindness again left her painfully late.
So many nights exhausted, still lying awake…
Shit, there’s a kid’s costume I still have to make!
1 in 4 women felt so horribly alone.
They were taught to push through,
Never grumble nor moan.
She went seeking answers. “Is dementia setting in?
Yesterday I found my bloody phone in the bin!”
“Life is so hard, I’m drowning, you see …
Or maybe life’s fine and the problem is me.
The voices, the fog… could this be psychosis?
I really need some kind of proper diagnosis.”
Yet every conclusion, in every society
“You’re a woman, my dear.
It’s probably anxiety.”
1 in 4 women were medically ignored.
The fight became more than they could afford.
They’ll say, “She should have called. She didn’t have to fight alone.”
But she had ADHD …
She couldn’t find the damn phone.
1 in 4 women felt unbearable shame.
They didn’t know they were never to blame.
Overwhelmed again, back to bed she has fled.
And no, it’s not just because she forgot the bread.
Our minds are always racing,
Our hearts forever torn.
Tired of hiding behind
The masks we’ve always worn.
1 in 4 ADHD women attempt to take their own life.
They just couldn’t bear one more failure
As a mother, partner, or wife ….
ABOUT THE POEM: "Having recently discovered 1 in 4 women with ADHD attempt to take their own life, I wrote this poem so other women feel seen. I’ve never written a poem before, but in true ADHD fashion I hyper-focused at 3am to find how poem structure and rhythm works and this is the end result. It isn’t positive but it is intended for positive purpose, to help others feel seen and help prevent more ADHD deaths."

THE DEAD DON’T FORM SCARS
By Todd Matson
Memorials left in skin
by cuts and gashes from
broken glass, playing on
monkey bars, falling from
bicycles and trampolines,
colliding on soccer fields
where pain once hijacked
game faces, where wounds
penetrated several layers
of young, innocent skin.
Tears dry. Scars remember.
Hidden scars telescoping
back to seasons of life
when symptoms of anxiety,
panic, depression, guilt,
shame, anger, self-loathing,
body dysmorphia, mistrust,
perfectionism, fear of intimacy,
sense of impending doom
took center stage – derivatives
which make sense only when
traced back to hidden origins
– unspoken traumas hiding
in plain sight like colors seen
only under ultraviolet light.
Lit cigarettes sadistically
pressed against arms, legs,
torso at ages too young
to remember, burning
through the epidermis
into the dermis, littering
skin with scars that resemble
small pox vaccines. Strange
how the body remembers
what the mind can’t.
Self-hate carved into arms,
legs and neck like cornrows.
Cuts self-inflicted to release
endorphins, feel numb, detour
mental and emotional anguish
through flesh for momentary
relief, to make the abstract
concrete, the intangible
tangible, to incarnate the
unremitting and unbearable
in scars that vicariously
remember what feels best
forgotten.
Despair engraved on
the underside of wrists.
Fibrous fossils of short
horizontal slashes, of
long vertical slices
meticulously following
arteries up forearms,
shouting through a
megaphone what
semicolons whisper.
Track marks archiving
a history of enslavement
to the pursuit of fleeting
synthetic heavenly bliss
speckling arms, hands,
feet, legs, neck wherever
arteries are found. Raised,
hardened, discolored skin.
Darkened lines from veins
collapsing after being
needled to death. Holes,
indentations where dirty
needles invaded, skin died
and departed. Thin lines
around skin grafts now
conspicuously concealing
and revealing horrors that
once were but are no longer.
Battle scars. Bullet wounds,
limbs stapled and sutured
at stubs adjacent to phantom
pains where arms, legs, hands
and feet use to be. Chemical
burns to skin, lungs. Post-
concussion scars seen only
on MRIs. Post-traumatic
scars that live on long after
battles end. Scars visible,
invisible, refusing to stay
silent, telling of heroic
sacrifices, sharing secrets
words refuse to tell.
Scars from battles fought
at home when death comes
knocking. Train tracks
running 8 to 10 inches
straight down the center
of the chest, 4 to 6 inches
horizontally across the chest,
diagonally from sternum
to armpit where breasts
used to be, 2 to 3 inches
along the lower right
abdomen. Scars chosen
to protect a beating heart,
remove rogue cells bent
on killing, prevent rupture,
peritonitis, sepsis, death.
Scars documenting in
human flesh stories of
fighting spirits, journeys
from victim to survivor.
And then there are scars
formed by mortal wounds
when death is deprived of
having the last word. Victims
of accidents and violence
who bled to death, stopped
breathing, amazingly returned
to life by CPR, defibrillators,
intubation, blood transfusions.
Yes, even mortal wounds form
scars when death is deprived
of having the last word.
Nail-scarred hands, feet.
A scar in his side from
being impaled by a spear.
Our Lord bled out and
died. We buried him in
a tomb. Miraculously,
he rose to life again with
scars to prove it was him.
He died and rose again
for us. By his wounds, by
his scars we are healed.
Celebrate your scars for
they are proof of life.
Badges of honor. Signs
of resiliency. Artefacts of
truth buried seven layers
deep that once discovered
set us free. Declarations
that death and despair do
not have the last word.
Your scars no longer
speak for you. You speak
for your scars. You lived.
Your wounds have been
transformed into scars,
and your scars have been
transformed into a source
of hope and healing for
others. For only the forces
of life can form a scar. The
dead don’t form scars.
ABOUT THE POEM: "In a culture obsessed with stereotypical standards for outward beautiful, as well as fearful of being perceived as not having it all together inside, this poem attempts to completely reframe the meaning of our scars. Since I work as a therapist, the details in the poem are inspired by the very normal and resilient traumatized and hurting people who come to me for therapy as they seek to emerge from past traumatic experiences, to journey from victim to survivor and from surviving to thriving, with a deep sense of personal worth and dignity intact."
ABOUT TODD: Todd Matson is a Licensed Marriage and Family Therapist in North Carolina, United States. His poetry has been published in Feminine Collective, San Antonio Review, The Brussels Review, and featured in Poetry for Mental Health. He has also written lyrics for songs recorded by several contemporary Christian music artists.

MY CHEMICAL NIGHTS
By Gabriela Sanderson
I reach for the blister,
how many will it be tonight?
An easy prescription,
no mathematical lambs,
no fake melatonin,
no stupefying wine.
Rest your head on the pillow,
Sleeping Beauty,
close your eyes.
Soon your night will be dark
and in that darkness
without dreams,
without music,
just a chemical lullaby
for grown-ups,
you'll know the void
in black and white,
in silence,
and your eyelids will keep
the faces of love away
for a hundred years.
You cannot fear
nightmares
when there is nothing.
Will there be a kiss
at the end of your night?
THE FEAR
By Annie Walsh
As cautiously I step
Into life once more
I am more scared
Than I’ve been before
Honestly some days
Are so hard to bear
Expecting the worst
Constantly in fear
Each day as I wake
Always starts so well
Till the dread begins
My own internal hell
Can’t enjoy the good
Waiting for the bad
Scared to be happy
Always feeling sad
But I won’t give up
I’ll wake every day
Hoping and praying
This fear goes away
Tho there’ll be days
Feelings of despair
Around me I have
Love ones that care
Even if some days
I know will feel tough
I’ll always be okay
Knowing I am loved
And I hope in time
To overcome my fears
That someday laughter
Will replace the tears
One thing is certain
In spite of everything
I will face each day
And what it may bring
Coz some we loved
Did die along the way
They won’t be able
To enjoy another day
So each day I live
And as the day is done
I know I am blessed
To see each and every one

MIRROR OF THE MIND
By Anju Kapoor
I see myself in the mirror every day,
And what do I find?
A few frowns and a dry smile,
A few bruises and pain in my swollen eye.
Tethered feelings do not ride fair,
Weathered in thunder, dark stains adhere.
Emotions within me shriek,
Dreams to me appear terribly bleak.
I say sometimes to myself,
I write the best, when in a somber state.
Self-reflection is my mirror;
I ponder often what defines me clearer.
I know tests in life are very rough—
Good, bad, and ugly make a part of us.
Trying to hold on to what is not in my reach,
Making myself miserable - my bearing comes unhinged.
ABOUT THE POEM: This poem gives voice to the silent battles often carried within. It reflects how emotional pain and self-reflection coexist, and how writing becomes a means of processing and surviving insoluble dilemmas concerning health of the mind.
ABOUT ANJU: Anju is an avid writer and a visual artist. A Banking and Finance post graduate from the University of Mumbai, she has been a resident of Bahrain for almost 24 years. She is a bilingual poet, writing both in English and Hindi. Her sensitive emotions lends an illuminating voice to her poems. Pen and paper are her wings and rhymes her lifeline. She is also a Visual Artist, and enjoys Ekphrastic painting on canvas with a colourful visual description. She pursues her hobbies in cooking, gardening, and is an Indian classical dancer trained in Kathak. Her poems have been published in many anthologies, in English and Hindi, and shares her poetry on various Global Literary Platforms.
Facebook: @anju.kapoor.7

VISIBILITY
By Maddi Smith-Nelson
Living in the grey,
walking in the shadows,
don’t shine your light on me.
I’ll shrivel back into the soil.
To till the earth,
to assist the darkness
slowly returning,
feels like me.
Not buried exactly
but a lantern visible
in an empty house.
One that screams,
don’t come in.
This threshold
is tainted.
My visibility is
shutting the curtains,
drawing the blinds.
Pouring a honey bath
to soothe the nerves,
living privately.
Looking at the fire,
to slowly illuminate
what lives inside.

A SHADOW OF MY OWN
By Adam Pearce
I know what I have, where I am and who loves me.
Yet, I don't love myself.
How can this be true? Reason should make this impossible.
Reasonable things got me this far.
Guilt compounds with sadness when I know it to be wrong.
How can this be right? Am I the common factor?
Did I lead this life, or did I let this life lead me?
Why should I blame myself when I am not sure if this shadow is my own.
I yearn to change, but a new path is unlit and unwelcoming.
I'll stick to what I know, this shadowy path is where I continue to go.

JUST A KID
By Tristan Porter
I always felt older than I was, but I realized I was just hiding the kid
It makes a lot of sense, looking back on everything I did
I took myself out of pictures, trying to remove the blemish
The standards I hold, make tranquility impossible to replenish
Darkness made me lose touch, like a coma; I wake up unaware
I live through a heavy mask, my passions become my shunned affairs
I’ve grown ashamed for never achieving the kids aspirations
Too many flaws for me to accept, so I become a constant aberration
Everyone has their puzzle, so many pieces I struggle to arrange
I’m stuck in an enigma between acceptance and change
A war stands between me and the life I’ve always desired
A fight I’ll never be ready for, leaving dreams only to be admired
The only common ground I have with anyone is recognizing that I’m broken
I gave up, leaving it up to faith - to being chosen

THE EMPTY GLASS VASE
By Isaura Lira Greene
Once during the journey,
I dreamt I was made of vidrio,
glass, translucent liquid sand stretched
across a window.
My vessel, like a glass urn, perhaps mine if I were to die so soon.
Except, I broke my very being,
shards---threatening to cut feet---across
desert floors.
Nothing is inside me but a breath of memories
and desires.
For once,
I have watched my companions fall apart into vacant skeletons
while our coyote escaped.
And
some pieces flew into the mountains,
splintering, as if dropped from a counter so
cracks formed like webs.
For once,
After I make it across the cacti, cascalote, cholla,
at the road that leads to a city,
I mix in my mind a golden lacquer to reassemble
shards, creating a ghost of the shell that held me
that could hold beauty.
I felt around, found my hands, and my bones,
and knew their names, clavicle, scapula, sternum.
And each one of my twenty-four ribs.
They shaped this vessel around myself.
I thought I was made of glass,
saw the world through a window.
But then I stopped forgetting
this body was mine.
Parched throat, I remembered water

A CHILD LOST; A WOMAN FOUND.
By Lisa Taylor
Every memory that plays in my head
is a continuous reminder of a life already dead.
I am used goods,
easily discarded like yesterday's trash.
Nothing special.
A punching bag, a welfare check, a happy ending.
Just a means to an end.
A scumbag, a bastard, white trash.
Doomed since conception.
Destined to sift through remnants for any sign of an existence.
Labeled unworthy.
Hopelessly stumbling through the darkness for any semblance of light.
Left to mourn the pieces of a shattered innocence, one by one.
Forced to watch as you consumed them all
until there were none.
You were, after all, the master, and I,
merely a pawn.
To no avail, I have prayed to a higher power:
“Please release me from this life of sorrow.”
I beg of thee, my heart cannot bear it!
Still, it lies here constricted, buried deep in the wreckage.
Left to my own salvation, I relish the thought of a life
prematurely taken.
To unburden myself of all the shame.
To concede to the battles waging in my brain.
Achieving a euphoria I never imagined.
Blissfully numbing the pain of my own inactions.
Yet, here I remain, and still I rise.
Up through the ashes of the fires destined to bury me alive.
I will not quit.
Your flame will not thrive.
I am cutting off the oxygen supply.

BIPOLAR
By Leonore Wilson
I float in open waters,
a rowboat without an oar.
I'm stuck in a burning building,
with every emergency exit locked.
I cried for my sons today.
I cried for my sons
because their mother isn't better,
I cried because of this affliction,
this darkness that descends.
The surface of my mind slips along
like a pale-grey stream
reflecting what it passes.
What do shadows hold?
Something? Nothing? I do not know.
Sleep, I say sleep, as the kettle boils.
Sleep, I say sleep, I desire sleep
like a blanket of heavy down.
Where is the song of the owl,
the nightingale, wren?
I seek beyond fragments,
I seek something unbroken.
Leaves shrivel as I look at them
and the woods vanish,
the earth recedes.
I find myself failing, fluttering,
descending
while the lost doves wail,
and my offspring
suck in their lips and tremble.

IN THE WILD
By James Aitchison
In the wild,
only one in
ten thousand oysters
contains a pearl.
In our wild world,
only one in
ten thousand people
becomes a friend.
Like pearls, friends are
treasures — wherever
you find them.

INSIDE HER MIND
Thy-Justice A Lumen
Inside her mind
That’s where you would find
A place where two different worlds would collide
Where she wouldn’t feel as though she has to hide
After burying her feelings deep inside
But now they ran as free as the tide
It was there within the ocean
That she saw her every emotion
They shimmered with light
The light upon the waves caught her sight
When the sun that shone upon them beamed so bright
It lifted her spirit and held her heart tight
No longer would she fear the darkness of the night
When the ocean whispered that she didn’t have to fight
The whisper that no one else could hear
The one that relieved her of all her fear
So despite the ocean not being anywhere near
Still, she could feel its atmosphere
And Inside her mind it was crystal clear
That she would return to the ocean year after year
It would relieve her of all her pain
And wash away her inner shame
She felt it deep inside her veins
That she was never to blame
And she knew she’d never again be the same
So now as she had stepped into the sea
Changed forever
And finally free
To be all she had wished to be
For it was the ocean
That made her see
That it would hold her heart
eternally

THE RAFT OF SALT AND STORM
By Anna Hostetter
I cast my line in murky, clouded deep,
Where promises are lies I’m forced to keep.
I ride the swells of calculated spite,
Beneath the storm-tossed roof of an endless night.
The lightning strikes—an anguish white and keen,
Reflecting only chaos, keeping me invisible and unseen.
A raft of splintered wood, a fragile seat,
Adrift upon a tide of a dark deceit.
My screams are swallowed by the howling gale,
No shore in sight to offer a sail.
The hunger gnaws, a hollow, starving ghost,
On this unforgiving, sunless coast.
I drink the salt, I pray for sweet relief,
But find only a drowning, salt-filled grief.
The ocean roars, transforming into a cold, indifferent friend,
Causing me to surrender toward the infinite, bitter end.
ABOUT ANNA: A survivor and a poet, Anna explores the intersections of trauma, memory, and the persistent, trembling light of resilience. Her work acts as a map of the internal landscapes we traverse when life’s foundations fracture. Anna is a writer of dark, gothic-inspired verse, dedicated to documenting the survival of the human spirit. Through her poetry, she seeks to turn the 'ruin' into a place of witness—where the wound is not hidden, but held and transformed. She believes that even in the deepest silence, there is a stubborn ember that refuses to surrender. She is currently dedicated to mental health awareness, advocating for the power of voice as a tool for healing and finding one's own pulse in the dark.
CLICK HERE to read more of Anna's work.

RIGHT NOW, IT JUST HURTS
By Aaliyah Muili
Right now,
I am not searching for unseen benefits.
I am not building bridges out of pain,
or writing lessons into my scars.
Right now,
it just hurts.
And I need that to be okay.
I am tired of pretending I am okay,
tired of being strong just because people expect it.
Tired of smiling when all I want is quiet.
To be left alone.
Or held, without having to explain a thing.
I do not want advice.
I do not need answers.
I just want someone to say—
"I see you.
Even in this mess.
Even when you cannot speak."
Because the truth is—
I do not always know why I am crying.
I just know something inside me feels heavy.
Like something broke
and no one noticed the sound.
So, if I seem distant,
do not take it personally.
If I do not answer right away,
do not think I do not care.
I am just trying to keep my pieces together.
Right now,
I do not need fixing.
I just need space
to feel what I feel
without guilt.
Because healing?
It starts here.
In the ache.
In the silence.
In the not knowing.
And tomorrow I will hope again.
But right now—
right now, it just hurts.
ABOUT AALIYAH: Aaliyah is an 18-year-old Nigerian writer based in the United Kingdom. Her poetry explores mental health, identity, body image, family, faith, and healing. Through honest free verse, she hopes her work reminds readers that they are never alone in what they feel.

