By Jack Ridl
Several years ago, I was invited to be on a panel at a writers conference. The participants were asked to talk about the topic, “Can Poetry Be Healing?” We all gathered, or were stuffed into a rather small meeting room. It seemed that most everyone attending the conference came to this particular panel. I laughed to myself as I imagined that, like being in the audience of a phony evangelist, they had come to be healed. I wasn’t sure if they would find that funny, or even amusing.
The first panellist began by stating outright that in no way can poetry be healing. He talked about the loved people he had lost to cancer, accidents, any number of other physical cruelties that he never could imagine poetry possibly healing.
The second panellist seconded the first’s conclusion. She added that she had read many a poem, none of which would heal anyone, that many poems would likely only make things worse.
My turn. Well ... all along I had figured that we would all be agreeing that poetry can heal. So, whew … here I come now cast as the antagonist. That’s a part I normally flee from playing. And so I agreed with them. Then I said that there may be another way of looking at poetry, and its possible connection to healing. There is the illness and/or the pain, but there is an inner suffering as well. And so I followed, somewhat self-consciously, with my story …
By the time I was 35, I had been in and out of six psychiatric units, lost a marriage and a young child, had worked with easily a dozen therapists, taken so many drugs that several times I had to go into cold turkey before they “tried another,” and along the way had been given a total of thirteen shock treatments. Nothing relieved my suffering. (I can go into what did, but that’s not the import of this essay.)
Among the effects of my experiencing ten traumatic events as a very young child was an inability to suffer. What does that mean? For one thing it meant that there was no way that I could trudge down the blue highway to healing until I was capable of experiencing the pain that accompanies recovery. I needed to discover suffering. It was this realization that enabled me to “go on” and arrive where I am today, talking to you.
However, what might help? I couldn’t read even a sentence that described the least sense of suffering without plunging back into the need for caregiving. I had tried to read the gentlest of books Ring of Bright Water. It wasn’t long before I put it down.
At some point I decided to try reading poetry; lyric poetry. Most of it was short. I could read the first few lines and see if I was able to go on. And I wrote poems, not very effectively, but with enough artistic technique to create a sense of control over what I put down on one of those yellow legal tablets.
After a week or so I found myself no longer putting the words away. I kept reading. I suppose it was fortunate that I was reading lyric poetry, and a lot of it was lyric poetry about those who suffered and/or by those who suffered, because at some point - slow learner that I am - I realized that “That’s it!” Most of those who wrote or spoke these poems were able to, somehow, live within their suffering. And so I read and read and wrote and read myself into the realization that something in me was becoming able to experience, to feel, that which one must be able to face.
And so it was this story that I told for my panel presentation - my explanation of why poetry just might be able to heal, to assure us that we can suffer, perhaps comfort us, help us feel we aren’t alone, that someone understands. We may even prevail, even if it’s making the day a bit cheerier for those who care for us.
It’s now been thirty plus years since I didn’t know I could suffer. I have lived this time with profound understanding from my wife and daughter. Most certainly, like everyone, I do suffer, but now with the confidence that I can.
ABOUT JACK
Jack Ridl, Poet Laureate of Douglas, Michigan (Population 1100), is the author of Saint Peter and the Goldfinch (Wayne State University Press). Jack’s Practicing to Walk Like a Heron (WSUPress, 2013) was awarded the National Gold Medal for poetry by ForeWord Reviews. His collection Broken Symmetry (WSUPress) was co-recipient of The Society of Midland Authors best book of poetry award for 2006. His Losing Season (CavanKerry Press) was named the best sports book of the year for 2009 by The Institute for International Sport, and The Boston Globe named it one of the five best books about sports. In 2017 it was developed into a Readers Theatre work. Winner of The Gary Gildner Prize for Poetry, Jack has been featured on public radio (“It’s Only a Game with Bill Littlefield”, “The Story with Dick Gordon ” and Garrison Keillor’s “The Writer’s Almanac.”) and on the RattleCast with Tim Green.
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