OPEN THE DOOR
Warped closed.
Put your shoulder in.
Pushed open,
A garden beyond –
Butterflies, blossoms, bees.
Indoors,
I know the shape of the table,
The books piled there,
The cushion on my chair.
I stand fixed,
Between.
My hand resting
on the stubborn wood of the door.
I only need
To take the step
Beyond.
A bird trills on the fence
Calling me
Past the threshold.
THE SILVER BIRCHES
We had walked among the trees,
silver birches, standing slim and tall
the peelings of their bark,
I saved and took home,
to write spells on.
The sun slanted between the trunks,
a legion of white warriors.
You weaved through on your way home.
I paused, running my hand over
the dark etchings on the bark –
words I’d never read,
a language for trees,
not me.
And yet, I wonder,
did they record our passing them?
When I came again,
without you,
did they question where you had gone?
Or did they know, all along,
That you would return to the Earth?
WHAT DO YOU DO WITH LEFTOVER LOVE?
I hadn’t meant to be a mother.
I lacked the proper instinct.
But then I fell in love
with a lizard growing in my womb.
We were one.
and then he was himself.
It surprised me
how he fit into my arms,
suckled at my breast.
I had no problems
loving him more than I thought possible.
His breath would change in the night
and I would be beside him,
before he had time to cry.
I understood his every word, even before they were words.
And when he was older,
I knew all the teachers were wrong.
He wasn’t lazy, just bored.
Bored of a world that just wasn’t as special as him.
And then he was bored of me,
walking away, dusting our history off his hands
going down a road that I was not allowed to follow.
What do I do now with this left over love?
I cannot stuff it in a suitcase in the attic,
or fold it away in a photo album.
It hangs around my neck, heavy,
Threatening to drown me.
I want to give it back to him
but he is so far in the distance
I will never see him again.
BAD HABITS
Loving you is like
Smoking cigarettes,
Two packs a day.
Loving you is like
Stepping into a cool, dark
Tijuana bar,
Closing the door on
Filthy, dusty streets and
Drowning in fishbowl sized
Margueritas.
Loving you is like
Chocolate cake for breakfast,
Three cups of coffee
For lunch
And pizza, for dinner,
Delivered.
Loving you is like
Credit cards
Never paid off
Interest accruing,
Exponentially.
Loving you is like
Going to a film
Every night
And pretending
It is real life.
When the alarm goes off
In the morning,
I cry in my sleep.
BAD WEATHER
It rained every day that summer.
They said it was summer,
but it was not.
At first things bent in the rain,
then colours began to melt;
even the sunflowers turned grey.
Ponds formed, then lakes,
ruining my shoes when I went out.
Rivulets carved paths through the house.
Picking up our things,
Floating them by me:
My books, a coat you’d bought me,
that carved camel from our trip to Morocco,
The photo albums.
Memories settled in puddles,
until the wind got up
and currents swept them away.
One of the dogs got caught up in the torrent.
That hurt.
I wasn’t surprised when my wedding ring
Swirled round a whirlpool in the garden.
Down the drain.
You got in a boat, rowing away.
Leaving me on the island that was left of our life.
ON THE EDGE
You must creep to the edge,
watching the gulls careen.
A tilt of wing prevents their
interception with solid rock,
boiling sea below.
You sit with your dog.
I dare not go so far.
What draws you to the brink?
Leaning into the gusts, flying nearly,
with the frantic seabirds?
The grass is just as green by me,
The wind, less biting.
I fear I am the fluttering sparrow,
clasped too hard in the hand,
heart beating, no room to breathe.
To survive,
I must sit this far from you.
My love is no less with the distance.
ABOUT FRANCES
Frances hails from Southern California but has somehow ended up living in Cornwall, England. After earning a MA in Dramatic Literature, she went on to qualify as a veterinary nurse and divides her time between writing and caring for animals. Her novels
The Listener and
The Home Straight were published by Veneficia, and she has had several poems and short stories appear online and in print. Her textbook, Dermatology for Veterinary Nurses is a standard text on the subject. She suffered from anorexia in her twenties and spent one year in hospital. She has also battled with self-harm and depression, although she considers herself well now.
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THANK YOU to the following people who have donated to Poetry For Mental Health: Duane Anderson, John Zurn, Sandra Rollins,
Braxsen Sindelar, Caroline Berry, Sage Gargano, Gabriel Cleveland, April Bartaszewicz, Patricia Lynn Coughlin, Hilary Canto, Jennifer Mabus, Chris Husband, Dr Sarah Clarke, Eva Marie Dunlap, Sheri Thomas, Andrew Stallwood, Stephen Ferrett, Craig Davidson, Joseph Shannon Hodges, John Tunaley, and
Patrick Oshea.